SALTI
DI FINE STAGIONE 2001 / 2002
Sabato 29 giugno: per la 9° voltaa Torino (la prima nel 1984)... MDCMillions Dead CopsTHE COMPLETE MDC BIOGRAPHYMDC (or Millions of Dead Cops) is a fast/hardcore political punk rock quartet that originated circa. 1980 in Austin, Texas. However, in the early 80s and for quite a while, the band was associated with San Francisco and San Francisco's peace-punk movement. MDC was relocated to Portland, Oregon in the early nineties and as is described later on, but now call Long Island, New York home. The main (and currently the last original member of MDC) is the singer and primary lyricist, Dave Dictor.
Originally known to many as the Stains (not the other band of the same name), but later changed to MDC, MDC put out (when still the Stains) their first two-song single as a 45 in 1981, containing their first classic hit and the still ever-popular "John Wayne was a Nazi" plus b-side "Born To Die."After their early 80's start, the MDC boys have released approximately one album a year, (give or take), continuing recently with full lengths 1993's Shades of Brown and most recently with Now More Than Ever, a compilation/20 year retrospective of the band's work. What follows is a history and full explanation of everything MDC is about, from 1980 to today.MDC, whether referring to the acronyms Millions of Dead Cops, Millions of Damn Christians, Morally Decent Christians, Millions of Devout Christians, Millions of Dead Capitalists, Millions of Dead Congressmen, Millions of Dead Children, Missle Destroyed Civilization, or Multi-Death Corporation, (among others) have always known how to make powerful, political statements that screamed loud and clear in a punk scene often littered with meaningless personal topical babble. Their originality challenges and (and often overcomes, in the opinions of the die-hard fans) the Dead Kennedys (whom were originally fans, mentors, inspiration, and even producers of MDC's first single/EP/LP compilation which will be described later), due to MDC's blunt and devout views. MDC's abrasiveness, rawness, and even speed often far surpasses that of Black Flag or Minor Threat.
In their now past-20-year career, MDC did undoubtedly influence bands of today such as modern anti-government-and-oppression metal-core of Total Chaos, Propagandhi, or Antischism, and alternative duo They Might Be Giants even mentions MDC in their song "Rhythm Section Want Ad". In addition, MDC is thanked in the liner credits of H20's first album, plus mentioned in a NOFX song entitled "Reagan Sucks" and a Tribe 8 song as well.In 1981, MDC (then still known as the Stains) released what should be considered a legendary punk landmark single on 45, "John Wayne Was a Nazi" paired with "Born to Die." At this point, the band was slower and less polished than they would become later as MDC. However, the two-song album still has integrity and merit, and captures the essence of what early, pure hardcore punk was all about. The angry lyrics, the simple chordings (mostly all power chords) and riffage ("John Wayne Was a Nazi" has only three chords, repeated for chorus and verse!!), make this debut single very outstanding for its time. Its extreme rawness, combined also with surprising competence and sincerity is what makes these early pieces so spectacular. What's more, Dave Dictor's harsh, sometimes screamed vocals serve to add power and persuasion to the intense, controlled roar that MDC was all about. The debut single's originality and spontaneous feel would later be overshadowed by other releases, but this preliminary single retains its purity and classic hardcore status in light of repetitive, mass-produced smut that litters most hardcore punk of today.Millions of Dead Cops was MDC's first LP, and its twelve songs were released on vinyl with Radical Records in 1982. Millions of Dead Cops developed as a brilliant album, successfully combining personal rage and angst with genuine social/political concerns. The song "John Wayne was a Nazi" and "Born to Die," which both originally appear on MDC's (The Stains') first single, were released in cleaner, more precise, faster and slightly lengthier versions on Millions of Dead Cops. Also included were classic hardcore songs like "Business on Parade," "Corporate Deathburger," "I Hate Work," and the epics "Dead Cops/America's So Straight," (in which Dictor wails on cops as being brutalizers, racists, Klan and Mafia members,) "I Remember" and "American Achievements," --and each song contributed unique elements toward the eventual heightening of MDC's debut outing as an essential early piece of punk history. A definite Dead Kennedys influence is evident even in this early release, but MDC has a style all their own, and certainly do not rip off the Kennedys (as many have suggested in several reviewsMDC never tried to be anything, and they never changed their approach due to pressure. This first album is the one truly considered a classic landmark punk album by most, and it is well-deserving of such a title. Millions of Dead Cops is fast, heavy, grating, and scathingly political, encompassing everything that is good, wonderful, and downright classic about MDC.MDC's first EP, Multi-Death Corporation, was a sophomore hardcore outing for MDC. The EP contains four songs. The content of the album as a whole is well worth it, as the lyrics touch on homelessness, struggling, and the oppression of large corporations upon the common man.The third release of MDC (as MDC) was another EP entitled Millions of Dead Children. This EP has also been occasionally (albeit, incorrectly) referred to as the "Chicken Squawk" EP. This EP is an essential for the die-hard MDC fan, but if one only desires the music and not necessarily the memorabilia of having the EP itself, these three songs can be found as released on a later full-length album with the previous EP included as well, the 1988 compilation (career retrospective at the time) More Dead Cops.MDC's fourth release was the less-impressive (to many) Smoke Signals in 1986. However, Smoke Signals has many different and interesting musical textures, and should be commended as one of MDC's better cohesive efforts. A political flyer is included with the LP version, concerning the Big Mountain Elders (Native American group) Relocation Resistance March.After several preliminary and mostly all-hardcore expressions in the forms of their first four albums (Millions of Dead Cops, the EP Multi-Death Corporation, the pseudo-EP [single] three-song Millions of Dead Children and the full-length Smoke Signals), MDC decided to expand their musical range on their next release. The decidedly less-hardcore fifth album Millions of Damn Christians : This Blood's For You was released in 1987. The album begins as an attack on religion, (hence its title).MDC's (popular in the world of political punk rock) first LP Millions of Dead Cops sold out on its first pressing on vinyl. So, in response to popular demand, that album and various other material was re-mastered and reissued as the album More Dead Cops, which was released as a rarities/career retrospective in 1988.Also in 1988, MDC put out a live album entitled Elvis in the Rheinland as a seventh release, which contained a performance recorded live in Berlin of twenty-five songs. MDC viciously blasts through all twenty-five in a kind of career-retrospective style. Two of these songs are Michelle Shocked covers -- both the rendition of the Shocked tune "Fogtown", and the last song, "Secret to a Long Life." The song "Dead Cops Rock" is simply a MDC rendition of Elvis' "Jailhouse Rock" in their classic evil-parody style.After the live Elvis, MDC released the album Metal Devil Cokes : It's the Real Thing in early November 1989.MDC recorded a live album in Maribor, Slovenia (the country was called Yugoslavia at the time) in 1990..In 1991, MDC released a fifteen-song LP entitled Hey Cop, If I Had a Face Like Yours. MDC released what was to be their last full-length release for several years.In 1994, shortly after Shades was completed, MDC recorded a split 7-inch with the Capitalist Casualties called the Liberty Gone EP. MDC had two cuts, a song entitled "Bombs, Not Food" and "Nazis Shouldn't Drive (Cars)", the latter of which is a different kind of ode to the late singer of Skrewdriver, Ian Stuart and a really good song.In 1997, MDC put out a two-song single called "I Don't Want to Hurt You Dude, I Just Want My Shit Back" with that song itself as the title track, as well as a b-side in the form of the song "Dark Clouds."For the last album (the move was circa. '96 or '97) and any future ones, MDC was on Honest Don's recordings (which was, at the time, merely a young offshoot of Fat Mike's [of NOFX] label Fat Wreck). As for an album in 1998, MDC put out a 7" split single (also on Honest Don's) with the Repeat Offenders.But now, things have changed and are on the up and up for MDC. Their newest release is a 20-year retrospective of their work entitled Now More Than Ever : MDC 1980-2000. This record has 20+ songs, highlighting many of MDC's albums and includes some rare material and a really great new song called "More Squawk" -- an offshoot of that crazy early single "Chicken Squawk". Featured on this recording was Matt VanCura, MDC's newest find for a great bass player, plus John Soldo (formerly of NY hardcore band Crackdown) on drums, and another John on guitar.Dave continues to contribute his column "Millions of Dead Columnists" (a joke pertaining to Ben Weasel, I believe) to the legendary punk 'zine MaximumRockNRoll, and has done so for many years now. MDC is active in a number of good causes, recently one for jailed anarchist Chris Plummer, and many more.MDC's very newest lineup consists of Dave Dictor plus newcomers Matt VanCura (bass), Dave Hahn (guitar) and Al Batross (drums). They had been playing a lot of shows in NYC, surrounding area like Philadelphia, Baltimore, and more. Most recently and as was documented for the duration of 2000-2002 on the website, MDC has been touring again. They kicked off a Brazilian tour earlier in 2001, so please enjoy the pictures section (will be updated soon) and Dave's tour log, courtesy of the band.In 2000, MDC released a new record retrospective of their 20-year career entitled Now More Than Ever (Millions of Dead Cops Anthology 1980-2000). This album documents their achievements so far and includes 30 great tracks which include songs chosen from most all of their past LPs and some rare singles like "My Dog Has No Girlfriend" from the MDC/Repeat Offenders split, an unreleased Submissives song "I Was An Infant" plus Michelle Shocked cover "Secret To A Long Life" and a live version of "Nazis Shouldn't Drive". Also included on this great and diverse record is a newly recorded MDC song, "More Squawk" which has apparently been a live favorite and really rocks in my opinion.I't's a great taste of what MDC has meant over the 20 years they have been around.http://free.freespeech.org/deadcops/mainhome.htmlJohn
Wayne Was a Nazi single R Radical Records 1981 -----------------------------------------------------
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MERCOLEDI'
3 LUGLIO: DAL CANADA CAMPIONI DEL DIY ANARCHICO We're talking D.O.A., the Vancouver group who helped spearhead the spread of punk rock counterculture around the world. They're still gleefully slashing away against all manner of philosophical enemy. They've travelled the globe almost continuously since they formed in 1978 and released their first snarling piece of vinyl, the Disco Sucks EP. That slab of plastic opened the door to international prominence, riots, ripoff record companies and three generations of fans. In
1981, D.O.A. made the term "hardcore" their own and pushed it into common
vernacular with their legendary album, Hardcore '81 and subsequent tours. It's
also provided some of the band's proudest moments, playing benefit concerts
for 100 causes and release 5 benefit singles for controversial causes,
hence the band's blatant slogan, Their music ranges from punk to reggae to downright viciousness (Grab The Last Scream of the Missing Neighbours LP with pay Jello Biafra.) on their 11 albums and 15 singles and EPs. In 1996, singer-guitarist Joe Keithley ran as a candidate in Canadian provincial and civic elections from the GREEN PARTY. Joe is also working on his first book tentatively titled TALK-ACTION=0 (Shithead Remembers), a funny and political look at 20 tumultuous years of spreading seditious ideas to the general populace. Shithead
has also launched his own record label, Sudden Death Records. Joey's compatriots are drummer Brien O'Brien (Curious George, The Real McKenzies, Stick Monkey, Itch, Bif Naked, lots of art school farting around and lots of D.O.A. art). On bass is Kuba. This Winnipeg native follows in the fine tradition of that city's historic 1919 General Strike in his confrontational approach to his instrument (Ted, The Sweaters, Scum Element). NEW
ALBUM OUT NOW!!!!!! What is Hardcore? D.O.A. popularized the term "hardcore" as applied to punk rock music with the release of "Hardcore '81", a pivotal record from the early west coast hardcore punk scene. Hardcore was (and is) uncompromising punk attitude combined with social activism. Sort of "punk with a message", but not to be confused with "straight edge" or "PC" movements, later variations of hardcore. West coast hardcore was completely different from the "fashionable" punk rock of art school students and posers - in the early days of punk there was a huge difference between the English-style punks with their fashionably torn and safety-pinned look (I wish I had a picture of Vivian Westwood and Malcolm McLaren's punk rock rubber pants, for example!), and the hardcore "street" punk who just didn't give a fuck about their appearance. Hardcore bands like D.O.A., Black Flag, Minor Threat, and Dead Kennedys owed more to The Stooges and MC5 than the Sex Pistols or New York Dolls; so-called "punk" bands like Soft Boys, The Stranglers, and many, many more -- were considered "new wave" wankers and art school posers. Hardcore was (and is) an intelligent movement characterized by a deep anger at the status quo. It is not surprising that it began on the U.S.west coast, where radicalism and rebellion has deep roots...schools don't tell you much about the labour riots of the 20's or other examples of North American civil disobedience... Uncompromising hardcore shocked the complacent hippie mentality, needless to say. West coast hardcore swiftly spread across America, and then the world, as the bands toured while bigger fanzines like Maximum Rock'n'Roll and Flipside were echoed in hundreds of xeroxed and photocopied grassroots anarchic publications, passed from hand-to-hand and given away at gigs in concert halls, squats, youth centers, and anywhere else a p.a. system and stage could be set up. D.O.A. has always been available for a DIRECT ACTION benefit or fund-raiser, ensuring that the money went directly to the needy cause or people, not through umbrella organizations which absorbed most of the cash in overhead and adminstrative costs (a key exception to this is D.O.A.'s constant support of Greenpeace, who have evolved into a big organization, yet still conscientiously use such money well. It is also not surprising that many parts of Europe have maintained strong hardcore communities, as countries like Holland and Italy have historically had a cynical lack of faith in government and big business, and has born such social movements as the Squatters and Situationalists. Hardcore will never die where individualistic thought can survive - which of course means it has been constantly oppressed by the vacuous media of North America. The current popularization of "punk" is more concerned with style than substance, rather a new fashionable trend for the pop machine. D.O.A. is the only original hardcore band still going since the 70's. They have not toned down their message of social activism -- Talk-Action=0. You can change the way things are -- take action. Hardcore survives in bands like Fugazi, NoMeansNo, The Ex, and D.O.A. -- hopefully with the current popularity of punk rock more kids will discover that the world ain't exactly a great place, and work for positive change despite the many evil forces in this world. And that is the best definition of hardcore I can imagine... Singles LPs/CDs
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... e coi concerti ci si rivede a fine settembre...
ma il cinema continua !!!